Yet despite delivering an “annexed” version of family entertainment based on pre-existing fairy tales ( Schickel 1997), Frozen has struck a chord in audiences, resulting in cultural tintinnabulation at a deep-and likely unconscious-level. According to Jack Zipes ( 2011), “The telos of all Disney’s fairy-tale films is to shape the vision of spectators so that they are convinced and believe that they share in the values and accomplishments of the narrative, thus obviating any or all contradictions … through the systematic dissemination of images in books, advertising, toys, clothing, houseware articles, posters, postcards, radio, and other artifacts that have mesmerized us” (pp. 2018 Rojek 1993 Wills 2017) that persuades audiences to “long nostalgically for neatly ordered patriarchal realms” ( Zipes 1995, p. The term “Disneyfication” encapsulates Disney films’ putative ability to inculcate a commodified utopian vision of society ( Bryman 2004 Fjellman 1992 Giroux 1995 Giroux and Pollock 2010 Griffin et al. with influence that has been compared to Shakespeare ( Dockterman 2018). HERO OF THE KINGDOM 3 CAULDRON LOCATION MOVIEIn the years subsequent to its release, interest in the movie has prompted plans for a Frozen sequel (due out in 2019 ( Gander 2018)), as brisk sales of Frozen merchandise continue to drive this “cultural behemoth” ( Perry 2017). Earnings exceeded a billion United States (US) dollars ( Hibberd 2017) and YouTube views of just one version of its musical chart-topping hit, ‘Let it Go’, approached the 1.5 billion mark within five years of the film’s debut ( YouTube 2018). This content analysis suggests that the film reflects fears surrounding the maelstrom of societal changes including expanding fertility options and the re-conceptualization of gender identity-pressing issues likely to sustain Frozen’s relevance.Īmong Disney’s blockbusters, Frozen ( 2013) has achieved resounding success as its most popular animated feature yet. In the end, Frozen serves as a cautionary tale about the dangers inherent in an unattached female as the ultimate potentate. In addition to having implications for gender roles, Frozen also portrays a mélange of gender symbolism through Elsa’s snowmen creations, which function as an expression of the storm of controversy surrounding the subversion of binary conceptions of gender. The normalcy of male dominance likely drives the resolution of the plot, in which Elsa learns to wield power in a non-threatening manner. Examples include both carrots and carats as phallic symbols, eggs as representations of the procreative potential that is appropriated by men and devalued in women, gender bias in perceptions of magic and enchantment, and the value of the nubile nymph over the tempestuous termagant. However, Elsa’s autonomy clashes with the traditional gender hierarchy, which is reinforced by a cultural context replete with latent symbolic meanings. By independently creating offspring Olaf and Marshmallow through whirlwinds, Elsa’s parthenogenesis (virgin birth) evokes wind-driven pollination, allowing her to circumvent any male role in creation. So, here are animated heroines that deserve the “princess” title just as much as the women on the list.In Disney’s box office sensation Frozen (2013), Elsa conjures powers rivaling those of Zeus, which is an echo of the shifting gender dynamics at the time of the film’s release. Some of them fit the Disney Princess description perfectly, while others are princesses in their own ways. It helps if they have an adorable animal companion.Įven so, there are many strong characters who deserve to be Disney Princesses due to their one-of-a-kind stories and their heartbreaking pasts. The official requirements are that the character must be human or human-like, a main character in their film, and be royal or perform a heroic deed in Mulan's case. Yes, Mulan isn't a princess, and there are some leading ladies that are princesses but not on the official list. Disney only has 13 official princesses on their list: Snow White, Cinderella, Aurora, Ariel, Jasmine, Pocahontas, Mulan, Tiana, Rapunzel, Merida, Moana, and the newest addition, Raya. Yet, Disney doesn't hand the term “princess” to just anyone. You might think a “Disney Princess” is basically any leading woman in a Disney movie, especially if they're royalty.
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